REPLICATED/REMEDIATED: Design

From the previous algorithmic modelling project we branch into designing physical objects,

specifically for slip casting ceramics. Students where given freedom to design any object for casting but it has to be self supporting and possible to be done with a two part molding process.

Starting from the left was my initial designs, I mainly wanted something that had more of a textural experience to it. So designing it with the surface morph functions in grass hopper was fun process, but also riddled with a lot of hurdles that I ended up learning.

From digital modelling it seemed like these objects would transition well but I started to have technical problems in the program such as rendering and closing surfaces to prepare it for 3d printing. I didn't consider how much calculations grasshopper does to create these models but somewhere along the line the projects file size started reaching 2gb along and soaking up my computers resources.

It seemed like an easy fix by converting the Breps into Meshes but for some reason the program was having a hard time to calculate. So I ended up doing a variety of shapes and changing the designs over time and finally ending up with the last almost flattened model.

After some discussion with our instructor Bryan Cera, the model had to be adapted to work with the 2 part plaster molds. Because it had issues mainly Undercuts from the protruding hexagonal shapes, I managed to remedy it by reducing the depth and rounding the edges.

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P02: The Wishmaker

Project 02: The Wishmaker Wishmaker (2025) is an experimental video performance where I explore the intersection of personal aspiration and ecological contemplation. Central to the piece is footage of myself attempting to inflate a windsock fashioned as a whale shark adorned with stars, symbolizing the cosmos. Accompanying this imagery are audio recordings from 38 individuals responding to the prompt, "What do you wish for the most?" The participants were encouraged to imagine if there existed an entity capable of granting wishes, what they would ask for. The non-hierarchical arrangement of these recordings allows the piece to unfold organically, avoiding a prescriptive narrative. The choice of the whale shark motif reflects my fascination with its beauty and its profound ecological significance. By projecting participants' wishes into the sky through this iconic form, I aim to evoke a sense of interconnectedness with nature and the universe. While "Wishmaker...

REPLICATED/REMEDIATED: MOLD POSITIVES & MATCH PLATE

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P02: Proposal

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