REPLICATED/REMEDIATED: Design

From the previous algorithmic modelling project we branch into designing physical objects,

specifically for slip casting ceramics. Students where given freedom to design any object for casting but it has to be self supporting and possible to be done with a two part molding process.

Starting from the left was my initial designs, I mainly wanted something that had more of a textural experience to it. So designing it with the surface morph functions in grass hopper was fun process, but also riddled with a lot of hurdles that I ended up learning.

From digital modelling it seemed like these objects would transition well but I started to have technical problems in the program such as rendering and closing surfaces to prepare it for 3d printing. I didn't consider how much calculations grasshopper does to create these models but somewhere along the line the projects file size started reaching 2gb along and soaking up my computers resources.

It seemed like an easy fix by converting the Breps into Meshes but for some reason the program was having a hard time to calculate. So I ended up doing a variety of shapes and changing the designs over time and finally ending up with the last almost flattened model.

After some discussion with our instructor Bryan Cera, the model had to be adapted to work with the 2 part plaster molds. Because it had issues mainly Undercuts from the protruding hexagonal shapes, I managed to remedy it by reducing the depth and rounding the edges.

Comments

PO1 : Final Installation

Black River Media Installation Audio & Video Sculpture Black River is a media installation exploring displacement and the longing for a deep connection towards a kind of homeland. At its center is an Inflatable Crocodile—a puppet trapped in an unending karaoke performance, forever singing a song about its life. Though it has no voice, its presence suggests an eternal loop of longing, echoing unheard stories of loss. The work humanizes this fictional creature, evoking empathy and prompting reflection on our own connections to land. It investigates shifting ecological baselines—the way in which each living generation perceives nature’s decline as their “normal.” As ecosystems collapse, what we consider natural keeps shifting, obscuring what we’ve lost. Within this narrative , the crocodile longs for its polluted homeland and to be with other mutated crocodiles. Dwelling in a post-climate apocalypse where remnants of human industries remain and pollution becoming our final lega...

Milestone Projects

First Definition Creating solid shapes from curves using loft Animation Attempting to animate 3d models within a specific track/path/curve Stacked Slices Creating a Sliced model of a penguin and experimenting with reductions in overall form Boundary Surfaces Patch Replicate/ Remediate Preparing a Model for 3d Printing and using it as a Master for Slip Casting and of course making the clay object through repetition. Surface Morph Patch

PO1: Draping and Construction

Draping is the technique of using fabric directly to conform to solid forms, employing pins or adhesives to create a 3D pattern. Originally, for the pattern construction I wanted to do all the processes within Rhino, but because of time constraints I needed to instead use draping to create my cutting guides. I initially 3d printed a small scale version of my model, and I wrapped it in masking tape to get a kind of reference of its surface. Once I have it fully wrapped, I traced sections of where I want my seamlines to be and used its outline as a guide for cutting my fabric. This process has been developed by dressmakers and often used by cosplay artists to make their costumes. After a tedious time cutting the fabric, I begin to start sewing all my cut panels together. Manually cutting the fabric alone, took me an entire day and a few bruised knuckles mostly from fatigue. Sewing all the panels together took 2 workdays including reinforcing each limb. once fully stitched, I then us...

Objects

Search This Blog