Skip to main content

REPLICATED/REMEDIATED: MOLD POSITIVES & MATCH PLATE

 


                 Last Supper 2023
                 Medium: Optimistic Students, Instructor, Acrylic, Plaster, Tape
                 Site-Specific Performance    




We reached the end to this project and were building plaster mould's and finally some traumatic experiences with slip casting and lots of waiting.


Good soup <3

We agitate plaster in water to facilitate an exothermic reaction that would lead into it solidifying. Its a great experience like making chowder or adding starch into boiling water except the water is freezing.






Finishing this plaster mould. 



Before slip casting ensure that the mould plates are fully dry, once that is complete start pouring up to the rim and wait for the clay to precipitate. 




On the first try the clay did form around the plaster, mine but did not really dry but the first once is always discarded to clear out any impurities like petroleum jelly and dirt. It wasn't really clear how long we were supposed to wait and it was a lot trial and error. Some of the actual ceramic students mentioned that slip should've dried around 45mins but still be pliable.

But on the third try.........


I managed to get a proper form and the patterns just look so cool on the object.


Drying time


Final Result on its Leather with some minimal retouching.


Comments

Popular posts from this blog

P02: The Wishmaker

  Project 02: The Wishmaker Wishmaker (2025) is an experimental video performance where I explore the intersection of personal aspiration and ecological contemplation. Central to the piece is footage of myself attempting to inflate a windsock fashioned as a whale shark adorned with stars, symbolizing the cosmos. Accompanying this imagery are audio recordings from 38 individuals responding to the prompt, "What do you wish for the most?" The participants were encouraged to imagine if there existed an entity capable of granting wishes, what they would ask for. The non-hierarchical arrangement of these recordings allows the piece to unfold organically, avoiding a prescriptive narrative. The choice of the whale shark motif reflects my fascination with its beauty and its profound ecological significance. By projecting participants' wishes into the sky through this iconic form, I aim to evoke a sense of interconnectedness with nature and the universe. While "Wishmaker...

P02: Proposal

“Mass Produced Object”    Project Proposal:   To create medium scale wind-sock/kite in the shape of a Whale Shark. The purpose of this object is to act a metaphor for optimism in a video performance with a working title called “I see in you a thousand stars”. In this performance I am dragging the wind-sock through a bleak environment attempting to capture essences of “hope” within the air. Currently within my practice I have been interested in deep ecology, and one of its aspects is to anthropomorphize “more-than humans” as agents for empathy and connectedness. In this performance am borrowing the image of the Whale shark as a vehicle for change. This organism is a keystone species found in tropical waters and is important to carbon sequestration, through massive carbon storage through its mass and recycling nutrients for other marine life. Kites have a cultural significance in South East Asian cultures, as a symbol for celebration, freedom, and religious beliefs. They ar...